Haikyuu!! Episode 8

-


 Long shot with a shallow focus. This establishes the volleyball setting. The haziness and the out of focus background give a memory lane effect. 

 Close up shot of the net with a shallow focus. The net coming into focus strongly suggests that the character (Nishinoya) is reminiscing about volleyball.

 Off center medium shot. Volleyball background remains prominent.

 Medium shot of the back of another character (Asahi). This shot specify what Nishinoya misses about volleyball and that is playing with the person in the shot.

 Full shot of both characters. This establishes the two characters. Asahi having his back turned drives the emotional point that he has left volleyball.


______________________________________________________________________

A mix of medium shots and volleyball imagery express the feeling of playing volleyball is still fresh within Asahi. The head only partially exposed has a melancholic effect by leaving it to the audience's imagination on how Asahi feels.





__________________________________________________________________

These series of photos is Asahi's reaction to Hinata and Kageyama practicing.

 Close up shot of his hand as Asahi remembers the feel of hitting a ball.

 Medium shot with Asahi coming into focus. The low angle from the hand and the focus on him really express how he misses the game.


Haikyuu
Full shot of Asahi's silhouette for further emotional effect.

Comments

Post a Comment

Popular posts from this blog

Angel's Egg

-
Image
Angel’s Egg is a movie rich in surreal symbolism. As a whole the film is abstract and difficult to decipher but many scenes or shots on their own are eloquently lucid. It’s the vivid composition and meticulous camera work that constructed such visually engrossing and cohesive scenes. __________________________________________________________________________ The huge antenna structure functions as a strong leading line that visually guides the viewers’ eyes to the sky. With the viewers focused on the sky, the scene cuts to a shot of it with the camera tilting up to slowly reveal the main subject of interest, which is the descending orb. The third image compositionally puts everything together. The antenna continues to function as a leading line as it points to the orb. It also provides linear perspective, which creates depth. The man’s presence along with the orb establishes the important connection between the two. The last image also uses compositional triangle to not
READ MORE

Ping Pong The Animation Episode 11

-
Image
Yuasa and his animators really went all out with the camera movement for this finale. The video below is only the warm up. It starts with a medium shot of Smile and Peco in their stance to establish the anticipation. Then cuts to a close-up and extreme close-up that ratchet up the tension as the match begins. Around the 00:13 mark there's a steady-cam like movement where the camera rotates behind Smile then zooms into the ping pong ball. At 00:31 mark we see a really quick push-in shot on Smile which cuts to a reverse tracking shot as Peco slams the ball. This was a frantic combination of camera movements and quick cuts that creates the initial excitement. This frenzied start was a quick glimpse of Smile being brought out of his shell by Peco. A long-awaited moment. This feeling of fulfillment is encapsulated by the last shot, a close-up of Smile smiling as the camera pulls away to show him absorbing the moment, the cheers of the crowd and the fun that is Ping Pong.
READ MORE

After the Rain – Episode 7

-
Image
Distinctly manipulated lighting and shadows, fog and smoke effects, rain, stylized use of contrast and desaturation, and a myriad of image processing – these are often used to create visual textures that can capture a mood, an atmosphere and a certain emotional tone. Visual textures definitely tell a story but often a singular one strongly befitting a scene or even an entire movie. What stood out in this episode of After the Rain is the use of visual textures as a narrative device in an almost shot by shot basis. Various visual textures were used to accentuate the characters’ emotions and to mirror the dialogue. After a tense interaction with Kondo in which he said (to Tachibana), “You know nothing about me,” the characters then faced their emotions in Kondo’s apartment. The scene started off neutral in terms of lighting, color and texture. When the two started to express their feelings more, the visual texture changed to reflect the emotional shift. The above screenshots sh
READ MORE