Koe no Katachi (A Silent Voice)
Both
in the beginning and towards the end of Koe no Katachi there’s a
fundamental scene where Ishida walks in the school hallway in anxiety
while avoiding eye contact with his fellow students. The key
difference between the two scenes is that the first one was done in a
subjective point-of-view while the last one in an objective
point-of-view. The difference in POV was to visually accentuate the
contrast in narrative between the beginning and the end.
Subjective
POVs are usually shot in first person perspective and this is exactly
how a large portion of the first “hallway scene” was shot. In
this POV the audience sees the world from the character’s eyes, a
far more visually and emotionally engaging experience. The viewer is
in Ishida’s shoes as he walks through hallway, nervously looking
down at the ground and avoiding the faces of other students. The
camera shakes and moves unevenly. This motion of the camera not only
emulates Ishida’s movement but also highlights his discomfort and
immerses the audience into his social anxiety.
Towards
the end of the scene there were two eyeline matches consisted of
close-up shots of Ishida’s eyes looking down then a cut to a shot
of the ground. The use of eyeline matches was to further drive the
point that you are seeing and experiencing the world in Ishida’s
eyes during this scene.
The
last “hallway scene” was shot in an objective POV where the
audience is more of an observer. Again the camera gives a view of the
hallway floor but this time it’s a side view shot with no shaky
movement, just a simple lateral tracking shot. There were no eyeline
matches, just simple cuts between some straight medium shots.
The
contrast between subjective and objective was to reflect the shift in
narrative. The subjective POV of the first “hallway scene” was to
have the audience experience Ishida’s isolation first hand. The
objective POV of the last “hallway scene” was to allow the
audience to observe that Ishida is no longer completely isolated.
Even though his social anxiety is still present in this scene, he now
has a friend in Nishimiya walking by his side and providing emotional
support.
Long time no see!
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